Font Hero

Free for Commercial Use

Sans Contrasted Lomod 1 is a very light, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, branding, posters, magazine, packaging, elegant, modern, refined, airy, editorial, display elegance, signature detail, editorial voice, modern refinement, monolinear feel, hairline, calligraphic contrast, open forms, geometric touches.


Free for commercial use
Customize the font name

A very light, high-contrast sans with hairline horizontals and sharper, darker verticals that create a crisp, engraved rhythm. Curves are smooth and generously rounded, with open counters and clean joins that keep the texture airy in text. Several glyphs show distinctive geometric accents—most notably circular forms featuring a small centered lozenge/dot detail—adding a recognizable signature without overwhelming legibility. Proportions are balanced with a moderate x-height, long ascenders/descenders, and slightly narrow, carefully spaced uppercase forms that read cleanly at display sizes.

Best suited for headlines, logos, and short editorial settings where its fine contrast and distinctive circular details can be appreciated. It can work for large-size pull quotes, posters, and premium packaging, especially in minimalist layouts with generous whitespace. For longer passages, it will generally perform better at larger text sizes and with careful tracking to preserve its light, refined texture.

The overall tone is poised and contemporary, with a fashion/editorial elegance driven by delicate strokes and controlled contrast. The geometric interior details lend a subtly futuristic, crafted character, giving the typeface a distinctive voice that feels curated rather than utilitarian.

This typeface appears designed to deliver a modern, high-fashion sans impression with a recognizable signature detail in key round glyphs. The goal seems to be a refined display voice that balances clean, contemporary construction with a crafted, high-contrast drawing style.

The thin horizontals and fine terminals suggest the design is at its best when given ample size, spacing, and high-quality reproduction. Round letters (like O/Q and similar forms) act as visual anchors due to the internal mark, which becomes a focal point in running text and branding contexts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸