Sans Other Ulfe 1 is a light, normal width, low contrast, italic, short x-height, monospaced font visually similar to 'NK Fracht Round', 'NK Fracht Square', 'Neue Konstrukteur Round', and 'Neue Konstrukteur Square' by HouseOfBurvo (names referenced only for comparison).
Keywords: game ui, sci-fi titles, posters, album art, logos, techno, angular, cryptic, futuristic, edgy, sci-fi aesthetic, coded display, engineered look, ui styling, geometric, faceted, stenciled, cornered, skeletal.
This typeface is built from lean, sharply angled strokes that form faceted, polygonal lettershapes. Curves are largely replaced by straight segments and hard corners, giving counters a cut-out, multi-sided feel (notably in rounded characters). The overall construction is slightly slanted with a consistent, segmented rhythm, and many joins appear intentionally broken or notched, creating a pseudo-stencil texture. Uppercase and lowercase share a similarly geometric, drafted look, with compact lowercase forms and simplified terminals that emphasize diagonals and abrupt endings.
Best suited for display contexts where the angular construction can be appreciated: game interfaces, sci‑fi or cyberpunk titles, posters, packaging accents, and logo/wordmark explorations. It can work for short UI labels or headings when set with generous size and spacing, but the notched, segmented forms are more impactful than they are purely utilitarian for long-form reading.
The font reads as futuristic and coded, with a crisp, schematic energy reminiscent of sci‑fi interfaces, game HUD lettering, and angular display titling. Its deliberate irregularities and chamfered corners add a gritty, cyber-industrial tone while still keeping a controlled, systematized structure.
The design appears intended to deliver a constructed, high-tech sans voice using straight-line geometry and strategic gaps to evoke engineered lettering. Its consistent slant and repeated corner logic suggest a deliberate system meant to look like encoded or machine-drawn type rather than traditional handwriting or humanist forms.
Numerals and several letters incorporate distinctive clipped corners and occasional internal cuts, which boosts personality but also increases visual noise at small sizes. The strong diagonal bias and segmented strokes create a distinctive texture in paragraphs, where spacing and the repeated angles become the dominant visual motif.