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Sans Normal Ipkiz 6 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'AG Book W1G' by Berthold; 'Neue Haas Grotesk Display' by Linotype; 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection; and 'Nimbus Sans Arabic', 'Nimbus Sans L', 'Nimbus Sans Novus', and 'Nimbus Sans Round' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, branding, merchandise, playful, handmade, punchy, friendly, retro, display impact, friendly tone, handmade texture, retro feel, craft aesthetic, rounded, soft, blunt, chunky, textured.


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A heavy, rounded sans with chunky silhouettes and soft corners. The strokes feel slightly irregular, with subtly roughened edges and ink-like texture that gives the letters a handmade, stamped quality. Counters are generally open and simple, with round bowls and blunt terminals; curves dominate, while straighter strokes retain a slightly uneven, organic finish. Overall spacing reads generous and the forms are built for strong presence rather than precision.

Best suited to posters, headlines, short slogans, and packaging where a friendly, high-impact voice is needed. It also works well for branding accents and merchandise graphics, especially when a handmade or stamped aesthetic supports the message. For longer passages, it’s likely most effective in brief blocks or large sizes where the texture can breathe.

The font conveys a warm, casual confidence—bold and attention-getting without feeling sharp or technical. Its lightly distressed, imperfect rhythm adds a crafty, approachable tone that can feel retro, kid-friendly, or poster-like depending on context.

The design appears intended to deliver maximum visual punch with approachable, rounded shapes, while adding personality through subtle irregularity and a print-worn texture. It prioritizes character and immediacy over strict geometric cleanliness, aiming for a bold display impression that feels human-made.

The sample text shows the face holding together well at display sizes, where the textured edges become part of the character rather than a distraction. The numerals and capitals share the same chunky, rounded construction, reinforcing a consistent, cohesive voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸