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Slab Square Hyju 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Leophard' by Arterfak Project, 'Player' by Canada Type, 'Uniwerek' by GRIN3 (Nowak), 'College Game JNL' by Jeff Levine, 'Hockeynight Serif' by XTOPH, and 'Winner' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, sports branding, packaging, signage, athletic, industrial, western, authoritative, retro, impact, compactness, ruggedness, vintage display, signage clarity, blocky, octagonal, high-contrast (mass), stamped, compact.


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A compact, heavy display face built from sturdy rectangular strokes with squared slab serifs and frequent chamfered (octagonal) corners. The forms are tightly set and space-efficient, with short ascenders/descenders and a relatively even stroke presence that reads as monoline at text distance. Terminals are flat and blunt, counters are small, and joins are hard-edged, producing a crisp, cut-out silhouette. Numerals and capitals follow the same geometric, poster-like construction for consistent texture across lines.

Best suited for short, high-impact settings such as headlines, posters, storefront or wayfinding-style signage, sports and team graphics, and bold packaging labels. It performs particularly well where a compact, attention-grabbing wordmark is needed and generous size can preserve counter detail.

The overall tone is bold and declarative, evoking athletic lettering, workwear signage, and vintage print ephemera. Its dense rhythm and sharp corners feel tough, utilitarian, and slightly nostalgic, with a hint of Western or team-jersey styling.

The design appears intended to deliver maximum impact in minimal space, using squared slabs and chamfered geometry to create a rugged, vintage-leaning display voice. It prioritizes a uniform, blocky texture and strong silhouette for branding and statement typography.

At smaller sizes the tight counters and heavy ink coverage can reduce interior clarity, while at large sizes the chamfered corners and slabbed terminals become a defining graphic detail. The font creates strong horizontal emphasis through broad stems and flat serifs, giving headlines a stamped, sign-painted presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸