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Free for Commercial Use

Serif Other Vife 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Hanley Pro' by District 62 Studio, 'Hoektand' by Frantic Disorder, and 'Jakobenz' by Grezline Studio (names referenced only for comparison).

Keywords: headlines, posters, packaging, branding, book covers, retro, friendly, assertive, storybook, display, impact, warmth, vintage flavor, readable display, characterful serif, bracketed, ball terminals, soft curves, rounded, chunky.


Free for commercial use
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This typeface has heavy, rounded letterforms with pronounced bracketed serifs and a consistently soft, sculpted silhouette. Strokes are thick and largely even, with broad curves and gently swelling joins that give many glyphs a slightly bulbous, cut-out feel. Counters are compact and often oval, and terminals frequently finish in small flares or subtle ball-like shapes rather than sharp points. The overall rhythm is sturdy and compact, with small interior spaces and a strong, poster-ready color on the page.

Best suited to display settings where its dense black weight and decorative serifs can carry personality—headlines, poster typography, packaging, and brand marks. It can also work for short bursts of text such as pull quotes or chapter openers, especially when a retro or storybook flavor is desired. For long passages at small sizes, the compact counters and heavy texture may feel tight.

The tone feels retro and approachable, combining old-style warmth with a bold, attention-seeking presence. Its softened serifs and rounded joins read as friendly and slightly playful, while the mass and density keep it confident and emphatic. The result suggests classic signage or headline typography with a decorative, characterful edge.

The design appears intended to deliver a bold, characterful serif voice that stays readable while adding vintage charm. Its rounded construction, bracketed serifs, and compact spacing prioritize impact and warmth over neutrality, aiming for memorable display typography.

Uppercase forms are broad and stable, with notable weight in the serifs that reinforces a grounded baseline. Lowercase shapes lean toward single-story, rounded constructions (notably in a, g), helping maintain an informal, readable texture at larger sizes. Numerals are similarly stout and open, designed to match the letters’ heavy, softened modeling.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸