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Sans Superellipse Kate 7 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Refinery' by Kimmy Design, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'Nicon' by Sign Studio, 'Goodland' by Swell Type, and 'Dohrma' by The Northern Block (names referenced only for comparison).

Keywords: sports branding, posters, headlines, advertising, packaging, sporty, urgent, aggressive, loud, retro, high impact, space saving, motion emphasis, display clarity, compressed, oblique, rounded corners, blocky.


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A compact, heavy oblique sans with broad, rounded-rectangle construction and softened corners throughout. Strokes are uniform and dense, with a forward-leaning stance, tight internal counters, and squared terminals that keep the silhouette blocky despite the rounding. Curved letters (like O, C, S) read as superellipse-like shapes, while diagonals and joins are crisp, producing a chiseled, speed-oriented rhythm. The numerals and caps maintain consistent width pressure and strong vertical presence, favoring solid mass over fine detail.

Best suited for display typography where bold emphasis is needed: sports identities, event posters, high-energy campaigns, and product packaging. It performs especially well in short headlines, logos, and condensed layouts where space is limited and the design calls for a strong, kinetic presence. For longer text blocks, larger sizes and generous leading help preserve clarity due to the tight counters and dense weight.

The overall tone is fast, forceful, and attention-seeking, with a distinctly athletic and action-oriented feel. Its slanted posture and compressed heft suggest motion and urgency, evoking motorsport, sports branding, and energetic promotional graphics. The rounded geometry keeps it modern rather than purely industrial, balancing toughness with a slightly streamlined friendliness.

The design intention appears focused on delivering maximum visual punch in a compressed footprint while projecting speed and momentum. Rounded-rectangle curves and sturdy joins suggest a deliberate balance of modern geometric construction with rugged, poster-ready solidity.

Spacing appears tight and optimized for headline density, with counters that can fill in at smaller sizes. The italic angle is consistent across cases and figures, giving lines of text a unified forward drive. Letterforms favor sturdy, simplified structures that prioritize impact and quick recognition over delicate nuance.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸