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Shadow Upli 5 is a very light, narrow, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, title cards, deco, theatrical, eerie, playful, stylized, retro mood, decorative impact, shadowed depth, textural sparkle, display focus, stencil-like, notched, inline cutouts, spiky terminals, geometric.


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A highly stylized display face built from thin, crisp strokes with frequent cut-outs and separated segments. Many letterforms use inlaid gaps and offset fragments that read like a shadowed/echoed layer, producing a carved, hollowed look while keeping the contours sharp. Geometry leans tall and compact, with tight apertures, angular joins, and occasional spear-like terminals; round letters (C, O, Q) are constructed from broken arcs rather than continuous curves. Overall spacing appears tight and the rhythm is deliberately irregular due to the segmented construction, giving the font a flickering, cut-paper silhouette.

Best suited for short-form display settings—posters, event titles, packaging callouts, and brand marks—where its carved, shadowed detailing can be appreciated. It can also work for title sequences or chapter headers in themed editorial design, provided sizes are generous and tracking is adjusted for clarity.

The font projects a vintage show-card and Art Deco flavor with a slightly uncanny, trick-lettering twist. Its shadowed fragments and stenciled breaks give it a dramatic, theatrical tone that feels suited to mystery, magic, or retro-futurist themes. The result is decorative and attention-seeking rather than neutral or purely functional.

The design appears intended to deliver a decorative, period-evocative voice by combining slender structures with deliberate internal cut-outs and shadow-like offsets. It prioritizes visual texture and distinctive silhouettes, creating a dramatic, crafted effect reminiscent of marquee lettering and stylized stencil work.

The hollow breaks are consistent across caps, lowercase, and numerals, so texture stays uniform in longer lines of text, though small sizes may cause the internal cuts to visually merge. Numerals echo the same broken-curve strategy, maintaining the display character. The sample text shows strong patterning and a distinctive sparkle, with legibility relying on adequate size and contrast.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸