Script Ismam 2 is a light, narrow, high contrast, upright, short x-height font.
Keywords: wedding, invitations, greeting, branding, packaging, elegant, whimsical, romantic, friendly, vintage, hand-lettered, decorative, celebratory, signature, feminine, looping, swashy, calligraphic, rounded, airy.
A monoline-to-modulated script with pronounced looped terminals and occasional swashes, combining smooth oval bowls with gently tapered joins. Strokes show clear calligraphic contrast, with thin hairlines and fuller downstrokes, and a steady, upright rhythm that keeps words readable while still decorative. Letterforms lean on rounded counters and open curves, while capitals are more ornamental, featuring extended entry strokes and flourished crossbars. Numerals echo the same handwritten logic, with soft curves and occasional looped details that match the alphabet’s cadence.
This font performs best in display contexts where its loops and swashes can be appreciated: wedding suites, greeting cards, boutique branding, product packaging, and headings on posters or social graphics. It’s especially effective for names, short quotes, and accent lines paired with a simpler serif or sans for body text.
The overall tone feels refined yet playful—like neat hand lettering with a touch of flourish. Its looping terminals and bouncy proportions give it a personable, celebratory character, while the controlled structure keeps it from feeling overly casual. The result reads as charming and boutique-like, suited to warm, inviting messaging.
The design appears intended to mimic polished handwritten calligraphy with approachable charm—decorative enough to feel special, yet structured enough to remain legible in common display sizes. It aims to provide a ready-made scripted voice for romantic and celebratory typography without requiring custom lettering.
Caps and lowercase show a clear hierarchy: uppercase forms are more decorative and expansive, while the lowercase stays comparatively compact with recurring curl motifs on ascenders/descenders. Spacing appears comfortable for short phrases, though the more ornate capitals and long terminals can create lively, uneven texture that works best when set with a little breathing room.