Distressed Ekbe 6 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Corsica' by AVP, 'Aspira' by Durotype, 'Apres' by Font Bureau, '-OC Format Sans' by OtherwhereCollective, 'Almarose' by S&C Type, 'Infoma' by Stawix, and 'URW Geometric' by URW Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, packaging, logos, merchandise, playful, rugged, retro, handmade, casual, vintage print, handmade feel, tactile texture, display impact, rounded, stenciled, inked, blotchy, chunky.
A heavy, rounded sans with simplified geometry and soft corners, set with compact counters and a steady, blocky rhythm. The outlines carry an intentionally worn texture: edges look abraded and slightly uneven, with speckling and small chips that mimic ink spread or rough printing. Uppercase forms are broad and sturdy, while lowercase keeps a straightforward, single-storey construction and minimal modulation. Numerals and punctuation follow the same chunky, slightly irregular silhouette, maintaining strong color and presence at display sizes.
Well suited to posters, headlines, short taglines, and branding that benefits from a handmade or worn print feel. It also fits packaging, labels, badges, and merchandise graphics where bold letterforms and tactile texture help convey craft and character.
The overall tone is friendly and informal, with a rugged, tactile character that feels screen-printed and vintage. Its softened shapes keep it approachable, while the distressed surface adds grit and authenticity for themed or nostalgic messaging.
The design appears aimed at delivering a bold, approachable sans silhouette while embedding a built-in distressed finish to suggest age, ink, and physical production. It balances legibility with a deliberately imperfect surface to create instant atmosphere in display typography.
The texture is consistent across glyphs, creating a cohesive ‘printed’ effect rather than random distortion. Tight interior spaces in letters like a/e/o and the heavy weight suggest it will read best when given ample size and breathing room, especially in longer lines of text.