Slab Unbracketed Surur 2 is a light, wide, monoline, italic, normal x-height font.
Keywords: headlines, posters, branding, packaging, signage, technical, retro, angular, assertive, mechanical, tech voice, geometric styling, display impact, constructed forms, retro futurism, slab-serif, unbracketed, square terminals, oblique, open counters.
A sharply oblique slab-serif design with unbracketed, square-cut serifs and a predominantly uniform stroke width. Letterforms lean consistently and are built from straight segments and crisp corners, producing angular bowls and squarish curves (notably in C, O, Q, and the numerals). The rhythm is wide and airy, with generous internal space and clearly separated strokes; joints are abrupt and geometric rather than calligraphic. Lowercase forms keep a simple, constructed look, with a single-storey a, a compact e, and a tall, straight f, while the numerals share the same slanted, squared-off geometry.
Best suited to short to medium-length display settings where the angular slab details can be appreciated—headlines, titles, poster typography, packaging, and bold brand marks. It can also work for signage or UI labels when a technical, engineered voice is desired, especially at sizes large enough to preserve the crisp corners and slab terminals.
The overall tone is engineered and slightly futuristic, with a retro-tech flavor reminiscent of drafting, arcade, or sci‑fi display lettering. Its hard corners and forward slant feel energetic and decisive, while the even stroke weight keeps it clean and controlled.
The font appears designed to combine the solidity of slab serifs with a distinctly geometric, forward-leaning construction, prioritizing a technical, modernist character over classical warmth. Its consistent stroke weight and squared curves suggest an intention to feel drawn with tools—precise, modular, and visually emphatic.
The design relies on repeated motifs—square serifs, angled cross-strokes, and clipped corners—creating strong stylistic cohesion across caps, lowercase, and figures. The oblique construction is prominent enough to read as a core identity rather than a minor slant, and the squared bowls can make round letters appear more industrial than traditional.