Script Kelud 2 is a regular weight, very narrow, very high contrast, upright, very short x-height font.
Keywords: wedding invites, brand marks, packaging, headlines, greeting cards, elegant, romantic, whimsical, vintage, refined, calligraphic elegance, ornamental display, personal warmth, formal charm, calligraphic, flourished, looping, swashy, thin hairlines.
A formal, calligraphic script with tall proportions, slender letterforms, and pronounced thick–thin modulation. Strokes show tapered entries and exits, with fine hairlines, rounded terminals, and frequent looped ascenders/descenders that add ornamental rhythm. Connection behavior is mixed: many lowercase letters link smoothly in running text, while others read as loosely connected or individually penned, creating an organic handwritten cadence. Capitals are especially decorative, featuring open counters, long curves, and occasional extended cross-strokes that add a light, airy silhouette.
This font performs best in short to medium display settings where its loops and contrast can be appreciated—wedding and event stationery, boutique branding, beauty and lifestyle packaging, book or chapter titles, and greeting cards. It can work for brief sentences in larger sizes, but the delicate hairlines and ornate capitals are likely to lose clarity in small text or busy backgrounds.
The overall tone is graceful and romantic, with a slightly playful, storybook charm from the looping swashes and buoyant rhythm. It suggests a personal, celebratory feel while still reading as polished and formal rather than casual.
The design appears intended to emulate pointed-pen calligraphy with expressive swashes, delivering an upscale handwritten look for ornamental display typography. Its mix of smooth joins and varied letter widths aims to preserve a natural written flow while maintaining a curated, elegant finish.
Spacing and widths vary naturally from glyph to glyph, reinforcing a hand-drawn character. The numerals echo the same calligraphic contrast and include curled strokes (notably in 2, 3, and 8), making them better suited to display than to dense tabular use.