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Free for Commercial Use

Sans Normal Sugen 5 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Bologna' by David Turner, 'JT Douro Sans' by JAM Type Design, and 'Chakai' by Latinotype (names referenced only for comparison).

Keywords: magazines, book covers, headlines, branding, pull quotes, editorial, classic, confident, refined, literary, editorial tone, refined display, clean elegance, high contrast, flared terminals, calligraphic contrast, bracketed joins, open apertures, rounded bowls.


Free for commercial use
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This typeface presents as a crisp, high-contrast text face with smooth, rounded bowls and subtly flared terminals that read as serifless but not purely geometric. Curves are generously drawn and counters are open, while verticals carry more weight than horizontals, giving the letterforms a calligraphic stress. Uppercase proportions feel traditional and steady, and the lowercase shows clear, compact construction with sturdy stems and rounded shoulders. Numerals follow the same contrast model, mixing straight stems with elegant curves for a cohesive, editorial rhythm.

It suits editorial design where a refined, high-contrast voice is desirable—magazine headlines, book covers, and pull quotes in particular. The clean silhouettes and open counters also make it a strong option for brand wordmarks and display typography that needs a smart, composed presence.

The overall tone is poised and authoritative, balancing modern cleanliness with a hint of classical, bookish refinement. It feels confident and composed rather than playful, lending a polished, publication-ready character to headings and short passages.

The design appears intended to offer an elegant, high-contrast display/text hybrid that stays clean like a sans while borrowing the refinement and stress of traditional letterforms. Its goal seems to be a distinctive editorial texture without heavy ornamentation.

In text, the strong contrast and flared stroke endings create lively texture and clear word shapes, especially in mixed-case settings. The design keeps forms legible by maintaining open apertures and avoiding overly tight detailing, while still delivering a distinctive, slightly calligraphic finish.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸