Sans Superellipse Dahy 4 is a very light, normal width, medium contrast, upright, normal x-height font.
Keywords: user interfaces, product branding, tech packaging, display headings, wayfinding, futuristic, technical, minimal, clean, geometric, digital aesthetic, geometric system, modern minimalism, rounded-square motif, monoline, rounded, superelliptic, squared-off, open counters.
A monoline sans built from squared, superellipse-like curves and straight segments, giving letters a rounded-rectangle skeleton rather than a purely circular one. Corners are consistently softened, terminals are clean and mostly flat, and the overall drawing favors long, simple strokes with generous interior space. The caps are tall and narrow-leaning with a slightly engineered feel; the lowercase follows the same modular logic, with single‑storey forms and squared bowls (notably in o/e/p/q) and a compact, rectilinear g. Figures echo the letterforms with rounded-square counters and clear, schematic construction.
Best suited to UI labels, app/OS typography, and technology or electronics branding where a geometric, rounded-rect aesthetic supports a modern system look. It also works well for headings, posters, and concise signage, especially at medium-to-large sizes where the stylized joins and squared counters remain clear.
The font projects a contemporary, high-tech mood—cool, precise, and intentionally minimal. Its rounded-square geometry reads as digital and product-oriented, while the light, open construction keeps the tone airy rather than heavy or industrial.
The design appears intended to translate rounded-rectangle geometry into a coherent alphabet, balancing friendliness from softened corners with a precise, engineered structure. The consistent modular logic suggests a focus on contemporary digital contexts and clean, system-like typography.
Diagonal joins (as in A, K, V, W, X, Y) are crisp and linear, contrasting with the softened corners elsewhere. Several glyphs use distinctive open or segmented shapes (such as the cap G and the 2/3), reinforcing a modular, interface-like rhythm across text.