Sans Faceted Tyfa 6 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: posters, headlines, packaging, stickers, logos, playful, rugged, quirky, retro, handmade, display impact, personality, handmade feel, angular styling, retro flavor, faceted, angular, chunky, blocky, irregular.
A chunky sans with a faceted, planar construction that substitutes curves with clipped corners and shallow angles. Strokes are consistently heavy and mostly monoline, but the outlines have a deliberately irregular, cut-from-paper feel, creating subtle wobble and uneven joins. Counters are compact and squarish, terminals are blunt, and diagonals (notably in K, V, W, X, and Y) read as chiseled wedges rather than smooth strokes. The lowercase is compact with sturdy, squared bowls and short, sturdy extenders, while numerals follow the same blocky, notched geometry for a unified set.
Best suited to display applications where its chunky faceting and lively irregularity can be appreciated—posters, headlines, playful branding, packaging, and sticker-style graphics. It can also work for short UI labels or title cards when a friendly, rugged tone is desired, but the strong texture may feel busy in long-form text.
The overall tone is bold and mischievous, combining a DIY handmade roughness with a geometric, cut-facet logic. It feels energetic and slightly off-kilter in a way that suggests humor, informality, and a throwback poster sensibility rather than precision or neutrality.
The design appears intended to deliver a bold, approachable sans voice with a distinctive faceted silhouette—evoking hand-cut, carved, or stamped lettering while keeping straightforward sans proportions. Its goal seems to be immediate impact and personality through angular simplification and controlled irregularity rather than smooth, polished geometry.
The texture becomes more apparent in longer lines: slight inconsistencies in curvature and corner clipping create a lively rhythm that can read as intentionally distressed at display sizes. The faceting helps keep forms recognizable even as curves are reduced to angled planes, giving the type a distinctive chiseled silhouette.