Wacky Riwi 2 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Duplet Rounded' by Indian Type Foundry, 'Proper Tavern' by Larin Type Co, 'Qualion Round' by ROHH, and 'Donuto' by Roman Melikhov (names referenced only for comparison).
Keywords: posters, kids media, halloween, comics, stickers, playful, goofy, slimey, cartoony, handmade, add humor, create texture, be attention-grabbing, suggest slime, feel handmade, blobby, rounded, textured, spotted, chunky.
A chunky, rounded display face built from soft, inflated letterforms with heavy, uneven stroke contours. The silhouettes feel hand-shaped, with bulbous terminals, irregular curves, and slightly inconsistent geometry that keeps the rhythm lively. Interiors and counters show scattered cutout speckles and nicks, producing a distressed, porous texture that reads like drips or pitting across the black forms. Overall spacing and shapes favor impact over precision, with simplified construction and broad, friendly counters.
Best suited to short, bold applications where personality is the goal: posters, packaging accents, kids-oriented graphics, party and event materials, game or stream overlays, and playful branding moments. It also fits seasonal or themed work (monster, slime, spooky-fun) where the distressed cutouts add atmosphere.
The font projects a mischievous, humorous tone—more cartoon prop lettering than formal typography. Its blobby forms and speckled “gunk” texture suggest slime, ooze, or messy paint, giving it an energetic, slightly chaotic personality that feels lighthearted rather than aggressive.
Likely designed to deliver immediate visual humor and a tactile, messy texture—combining soft, rounded cartoon proportions with a deliberate “pitted” distress to avoid a clean, geometric feel. The intention seems to be a one-of-a-kind display voice that reads as hand-formed and expressive rather than typographically neutral.
The texture is integrated into the glyphs as negative holes and chips, so the character of the face depends heavily on size: at larger settings the speckling becomes a defining detail, while at smaller sizes it may visually fill in or add noise. Numerals follow the same inflated, irregular construction, keeping the set cohesive for headline use.