Sans Superellipse Vanod 3 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: tech branding, ui headlines, signage, packaging, posters, futuristic, tech, clean, geometric, minimal, geometric system, modernization, screen-first, signage clarity, rounded, squarish, modular, streamlined, low-contrast.
A broad, geometric sans built from rounded-rectangle and superellipse forms, with consistent monoline strokes and softly squared corners. Counters tend to be rectangular-oval, giving letters like O, D, and P a compact, engineered feel, while terminals are blunt and evenly rounded. The rhythm is open and spacious, with generous horizontal proportions and smooth curves that stay controlled rather than calligraphic. Distinctive constructions—such as the segmented E/F arms, the wide-shouldered M/W, and the angular, forward-leaning diagonals in V and Z—reinforce a modular, system-driven design.
Well suited to technology-forward branding, app and device UI headlines, and wayfinding or environmental graphics where clean geometry and wide proportions help legibility at a distance. It also works effectively in packaging and poster settings that benefit from a sleek, modern voice and a consistent, modular texture.
The overall tone reads contemporary and synthetic, evoking interface typography, sci‑fi signage, and product design language. Its rounded geometry keeps the mood friendly and approachable, while the squared structure and uniform stroke give it a precise, technical edge.
The design appears intended to translate a rounded-rectangular geometric system into a readable sans, balancing friendly curves with a structured, engineered skeleton. Its emphasis on uniform strokes, squared counters, and wide stance suggests a goal of delivering a contemporary, screen-native look that remains orderly in longer lines of text.
Numerals follow the same rounded-rectangular logic, with clear, open counters (notably 0, 6, 8, and 9) and strong horizontal emphasis. In text, the font maintains a steady, even color and clear separation between characters, leaning more toward display clarity than traditional book-text softness.