Sans Superellipse Ikluk 2 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Beiko Heavy' by Minor Praxis, 'PG Gothique' by Paulo Goode, 'Otoiwo Grotesk' by Pepper Type, 'Margit' by Schriftlabor, 'Palo' by TypeUnion, and 'Herokid' by W Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, sports branding, logotypes, packaging, sporty, punchy, confident, retro, energetic, high impact, speed cue, brand presence, poster utility, oblique, compact, rounded, ink-trap hints, blocky.
A heavy, oblique sans with chunky, superelliptical construction and softened corners throughout. Forms are wide and sturdy with compact apertures, yielding dense black shapes and a tight, powerful texture in text. Strokes are largely uniform with subtle modulation, and joins often show small notch-like cut-ins that read as pragmatic ink-trap behavior at counters and junctions. Terminals are mostly blunt and squared-off, while curves stay squared and controlled rather than fully circular, creating a consistent, engineered rhythm across letters and numerals.
Best suited to short, high-visibility settings such as headlines, posters, sports branding, and bold promotional graphics where the weight and slant can drive momentum. It can also work for logo wordmarks and packaging panels that need a compact, forceful presence, especially at medium to large sizes.
The overall tone is assertive and high-impact, with a sporty, poster-ready energy. Its slanted stance and compact, blocky curves evoke a retro athletic and advertising feel—confident, loud, and built for attention rather than understatement.
The design appears intended to deliver maximum impact with a streamlined, industrial simplicity: dense forms, rounded-rect geometry, and an oblique posture that adds speed and urgency. The consistent, squared-round curves and notch-like junction handling suggest a focus on clarity under heavy weight while preserving a distinctive, athletic voice.
Uppercase shapes lean toward simplified, sign-like geometry, while lowercase maintains the same sturdy logic with tight counters and strong silhouettes. Numerals follow the same squared-round language, keeping a cohesive, branded look in mixed alphanumeric settings.