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Free for Commercial Use

Distressed Efbin 3 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'FF Transit' by FontFont, 'Whitney' by Hoefler & Co., 'EquipCondensed' by Hoftype, 'Engrez' by Indian Type Foundry, and 'Fact' by ParaType (names referenced only for comparison).

Keywords: posters, headlines, packaging, album art, event flyers, grunge, playful, handmade, rugged, quirky, add texture, look handmade, create impact, evoke print, blotchy, chunky, inked, uneven, worn.


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A heavy, chunky display face with irregular, eroded contours and pitted interiors that mimic uneven inking and worn printing. Strokes are thick and somewhat lumpy, with frequent nicks, voids, and rough edges creating a mottled texture across both straight and curved forms. Letterforms keep a broadly simple, upright skeleton, but widths and silhouettes vary noticeably, giving lines a lively, slightly unpredictable rhythm. Counters are often partially closed or speckled, and terminals tend to end bluntly with organic, torn-looking shapes.

Best suited to short, attention-grabbing text such as posters, headlines, and promotional graphics where the rough texture can read clearly. It works well for packaging, album art, and event flyers that benefit from a bold, tactile, printed look. For longer passages or small UI text, the heavy distressing may reduce legibility.

The overall tone is gritty and handmade, balancing a tough, weathered feel with a casual, slightly cartoonish friendliness. The texture reads like stamped ink, screenprint, or aged signage, lending an imperfect, human quality that feels energetic rather than refined.

The design appears intended to deliver maximum impact through weight and texture, evoking distressed print production while retaining straightforward, recognizable letter shapes. Its variable silhouettes and worn detailing suggest a goal of injecting personality and grit into display typography without relying on extreme slant or complex forms.

The distressed texture is strong enough to become a primary visual feature, especially in larger settings, where the interior pitting and edge breakup are clearly visible. In smaller sizes, the roughness can merge into heavier blobs, so spacing and background contrast will matter for clarity.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸