Sans Superellipse Ifnu 3 is a very bold, wide, low contrast, upright, normal x-height font visually similar to 'Forza' by Hoefler & Co., 'Neue Galano' by René Bieder, 'NeoGram' by The Northern Block, and 'Berka' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, confident, playful, punchy, friendly, sporty, maximum impact, brand voice, friendly boldness, geometric consistency, blocky, rounded, compact, sturdy, soft corners.
A heavy, rounded sans with a superelliptical construction: counters and curves read as softened rectangles rather than true circles. Strokes are broadly even, terminals are mostly flat with generous corner rounding, and joins feel tight and compact, creating a dense, poster-ready texture. The lowercase is sturdy and simplified, with single-storey forms (notably the a and g) and short, squared-leaning shoulders that keep rhythm chunky. Numerals follow the same rounded-rectangle logic, with bold, stable silhouettes and ample inner space for the weight.
Best suited to headlines, display typography, and logo-like wordmarks where weight and shape can do the work. It performs well in packaging and signage that needs friendly impact, and in bold UI moments such as hero banners or section titles. For long passages of body text, its dense color and compact detailing are likely to feel heavy unless sized up with extra spacing.
The overall tone is assertive and high-impact, but the rounded corners and pill-like bowls keep it approachable. It feels contemporary and energetic, with a hint of retro sign and athletic branding—built to grab attention without becoming sharp or aggressive.
This font appears designed to deliver maximum presence with a consistent, rounded-rectilinear geometry—prioritizing bold readability, a cohesive silhouette across letters and numbers, and a modern-friendly character for attention-driven typography.
The design leans on squarish curves and compressed apertures, so it reads best when given room—either at larger sizes or with generous tracking. The Q’s distinctive interior stroke and the broadly rounded bowls across O/C/G reinforce the family’s “soft-rectangular” geometry.