Sans Superellipse Gadav 11 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Amfibia', 'Karibu', and 'Movida' by ROHH; 'Ansage' by Sudtipos; 'Nominee' by TypeUnion; and 'Herd' by Wahyu and Sani Co. (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, logos, sporty, punchy, assertive, retro, energetic, impact, speed, headline focus, branding, compact, rounded, slanted, blocky, soft corners.
A heavy, slanted sans with compact, block-like letterforms and generously rounded corners. Curves are built from squarish, superellipse-like shapes, giving counters and bowls a softened-rectangle feel rather than a pure geometric circle. Terminals are blunt and clean, with minimal contrast and a strong, even stroke presence. The capitals read wide and planted, while lowercase forms keep a sturdy, upright structure under the consistent forward slant; overall spacing appears tight and optimized for impact at display sizes.
Best suited for headlines, posters, and branding where a forceful, fast-moving voice is needed—especially in sports, motorsport, streetwear, or energetic product packaging. It can work for short subheads and callouts, but its density and tight rhythm make it less ideal for extended small-size text.
The font conveys speed and impact—confident, sporty, and slightly retro. Its rounded-rectangle geometry softens the aggression of the weight, creating a friendly toughness that feels suited to action-oriented branding and bold headlines.
This design appears intended to deliver maximum visual impact with a strong forward-leaning stance, combining a robust display weight with softened, rounded-rectangle construction for approachable boldness. The consistent slant and compact shapes suggest an emphasis on motion, urgency, and high visibility in branding and headline contexts.
The numerals and uppercase have a strong, poster-like silhouette, with large, simple counters that stay readable under heavy weight. The diagonal stress from the slant is consistent across the set, creating a uniform sense of motion in running text, though the density suggests it’s primarily intended for short bursts rather than long passages.