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Free for Commercial Use

Sans Superellipse Ikned 9 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Gusto Black' by BA Graphics, 'PG Gothique' and 'PG Grotesque' by Paulo Goode, 'Otoiwo Grotesk' by Pepper Type, and 'NeoGram' by The Northern Block (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, industrial, friendly, sporty, retro, impact, approachability, geometric consistency, display strength, rounded, compact, blocky, soft-cornered, punchy.


Free for commercial use
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A heavy, compact sans with rounded-rectangle construction and softened corners that keeps shapes blunt but not harsh. Curves are broad and controlled, counters are relatively small, and terminals finish with squared-off ends that reinforce a sturdy, poster-like color on the page. Uppercase forms feel geometric and tightly fit, while lowercase follows the same chunky logic with simple, closed shapes and minimal detailing; numerals match the bold, rounded-slab silhouette for consistent texture in text and display.

Best suited to headlines, posters, labels, and brand marks where a solid, high-impact voice is needed. It also fits short UI labels, badges, and wayfinding elements where bold, rounded geometry improves quick recognition, especially when set with ample spacing.

The overall tone is bold and assertive with a friendly softness from the rounded corners. It reads as energetic and modern, with a slightly retro, athletic flavor that suggests signage, packaging, and impact-first communication rather than subtlety.

The design appears intended to deliver maximum visual weight with a softened, approachable geometry—combining blocky construction with rounded corners for a strong but friendly display presence. It prioritizes clear silhouettes and consistent stroke mass to maintain a unified look across letters and figures.

The dense fill and small interior apertures create strong presence at large sizes, while the tight counters and compact joins can feel heavy in longer passages. Its rhythm is even and stable, producing a uniform typographic “block” that works well when you want maximum impact and minimal ornament.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
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16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸