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Free for Commercial Use

Blackletter Kalo 2 is a regular weight, narrow, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, certificates, gothic, heraldic, ceremonial, antique, dramatic, historic evocation, display impact, formal tone, manuscript feel, angular, calligraphic, spiky, broken strokes, flared terminals.


Free for commercial use
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This face presents a blackletter-inspired construction with broken strokes, angular joins, and pointed, wedge-like terminals. Stems are predominantly vertical and tightly spaced, creating a dark, rhythmic texture, while subtle modulation and sharp tapering at stroke ends suggest a broad-nib or pen-derived logic. Capitals are ornate and varied in silhouette, with distinctive entry/exit strokes and occasional interior counter shaping that reads as carved or chiseled. Lowercase forms are compact and upright with narrow apertures and frequent vertical emphasis, producing a dense color that stays consistent across lines. Numerals continue the sharp, calligraphic treatment, mixing straightened verticals with brisk curves and tapered ends.

Best suited for display work such as posters, headlines, titles, and identity marks where its historical character can be appreciated at larger sizes. It also fits packaging, labels, and certificate-style designs that benefit from a traditional, authoritative tone. For body text, it is more effective in short passages or accent settings where the dense texture remains readable.

The overall tone is formal and historic, evoking medieval manuscripts, ecclesiastical printing, and old-world proclamations. Its crisp angles and high visual density lend a stern, authoritative voice, while the decorative capitals add a ceremonial, emblematic flair. The result feels traditional and dramatic rather than casual or contemporary.

The design appears intended to capture a classic blackletter atmosphere with a disciplined vertical rhythm and decorative, calligraphic detailing, balancing legibility with period styling. It prioritizes recognizable gothic texture and ornate capitals for impactful display typography.

In text settings the face forms a strongly patterned texture with pronounced vertical rhythm, making word shapes rely heavily on capital forms and distinctive ascenders/descenders for differentiation. The most characterful details appear in the uppercase set, which reads well as display initials and short titles, while long passages feel visually intense due to the tight counters and frequent broken-stroke articulation.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸