Sans Faceted Itma 11 is a very light, very wide, low contrast, italic, normal x-height font visually similar to 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, branding, posters, ui display, tech packaging, futuristic, technical, sleek, aerodynamic, precise, sci-fi styling, technical voice, geometric system, streamlined branding, interface display, faceted, angular, monoline, octagonal, geometric.
A sharply faceted sans with monoline strokes and consistent, planar chamfers that replace curves with short angled segments. The overall build is wide and forward-leaning, with open counters and squared-off terminals that often resolve into clipped, octagonal corners. Letterforms keep a clean, engineered rhythm: straight horizontals and diagonals dominate, bowls are polygonal rather than round, and joins stay crisp with minimal modulation. Numerals follow the same geometry, with segmented, angular turns and a uniform stroke weight throughout.
Best suited to display settings where its geometric facets read as intentional—headlines, logotypes, product branding, and tech-oriented packaging. It can also work for short UI labels or interface headings where a futuristic, engineered aesthetic is desired, while long-form text may benefit from larger sizes for maximum clarity.
The font conveys a contemporary, sci‑fi and industrial tone—cool, controlled, and machine-like. Its slanted stance and faceted contours suggest motion and efficiency, making it feel suited to high-tech interfaces and branded systems that want a streamlined, engineered voice.
The design intention appears to be a modern, tech-forward sans that translates curved forms into crisp polygonal segments, creating a cohesive faceted system. By combining a forward slant with wide proportions and consistent chamfers, it aims to deliver speed, precision, and a distinctly digital/industrial character.
The design maintains strong stylistic consistency across uppercase, lowercase, and figures through repeated chamfer angles and clipped corners. Spacing appears comfortable and uncluttered in text, with clear differentiation between similarly shaped forms achieved by distinctive angled cuts and open apertures.