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Wacky Eplu 3 is a light, normal width, medium contrast, upright, normal x-height font.

Keywords: logos, posters, headlines, album art, game ui, playful, quirky, retro, techy, handmade, standout display, retro-tech flavor, decorative texture, experimental letterforms, monoline, rounded terminals, square forms, stenciled feel, angular.


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This font uses a monoline construction built from squared, rectilinear skeletons with frequent right angles and rounded, bulb-like terminals. Corners are softened rather than sharp, giving the glyphs a piped or cap-ended stroke feel. Many shapes lean toward boxy counters and open, segmented construction (notably in characters like E, F, and S), creating a slightly stenciled, modular rhythm. Spacing and widths vary noticeably between glyphs, reinforcing an irregular, hand-drawn geometry while keeping consistent stroke thickness and a clean baseline alignment.

Best suited for display settings where its quirky construction can be appreciated: logos, poster headlines, packaging accents, album covers, and playful UI or game titling. It can also work for short pull quotes or labels where a retro-tech, experimental tone is desired, but it is less appropriate for long-form body copy.

The overall tone is whimsical and eccentric, mixing a retro-futurist, instrument-panel vibe with a lightly mischievous, puzzle-like character. Its oddball terminals and squared construction read as intentionally unconventional, making text feel playful, techy, and a bit cryptic.

The design appears intended to create a distinctive, experimental voice by combining modular, squared letterforms with rounded terminal caps. Rather than aiming for typographic neutrality, it prioritizes memorable shapes and a consistent decorative texture that reads as intentionally offbeat and custom-built.

In continuous text, the repeated rounded terminals create a dotted cadence along strokes and joins, which becomes a defining texture at larger sizes. The design favors distinctive silhouettes over smooth reading flow; some letters adopt atypical structures that increase personality while reducing neutrality. Numerals match the same boxy logic and cap-ended strokes, maintaining a cohesive set for display use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸