Sans Faceted Gehi 19 is a regular weight, narrow, low contrast, italic, normal x-height font.
Keywords: headlines, posters, branding, sports, gaming, futuristic, technical, speedy, aerodynamic, digital, sci-fi styling, tech branding, speed emphasis, geometric clarity, display impact, angular, chamfered, monolinear, forward-leaning, squared.
A slanted, monolinear sans with faceted construction: curves are largely replaced by straight segments and clipped corners, producing octagonal counters and squared bowls. Strokes stay even with low contrast, and terminals tend to end in flat, angled cuts that reinforce a crisp, engineered rhythm. Proportions run compact and streamlined, with tight apertures and a slightly mechanical cadence; round letters like O/Q read as squared ovals, while diagonals in K/V/W/X are sharp and taut. Numerals follow the same chamfered geometry, with a squarish 0 and angular 2/3 forms that match the overall planar language.
Best suited to display applications where its faceted geometry can be appreciated: headlines, posters, branding marks, and packaging for tech-forward products. It also fits UI titling, esports or automotive themes, and short callouts where a sharp, modern tone is desired.
The overall tone feels futuristic and performance-oriented, suggesting speed, technology, and precision. Its consistent faceting and forward lean give it a digital, industrial character suited to modern interfaces and sci‑fi or motorsport aesthetics rather than organic or editorial warmth.
The font appears designed to translate a sleek, engineered aesthetic into a readable sans by using chamfered corners and segmented “pseudo-curves.” Its intention is to deliver a distinctive futuristic voice while maintaining consistent stroke weight and a clean, contemporary structure.
The design is most distinctive where it replaces traditional curves with planar facets, creating a recognizable “cut metal” look in both uppercase and lowercase. Spacing appears relatively tight and the angular joins keep texture lively at larger sizes, while the narrow, slanted skeleton can look busier in dense paragraph settings.