Serif Other Erzu 9 is a very bold, very wide, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, signage, stencil, industrial, authoritative, poster-ready, vintage, stencil effect, display impact, vintage signage, brand distinctiveness, high contrast drama, cutout, wedge serif, engraved, crisp, dramatic.
A compact, heavy display serif with sharp, wedge-like terminals and deliberate stencil-style breaks that split bowls and joins into crisp black-and-white segments. The shapes lean on strong verticals and broad, flat curves, with pronounced internal cutouts that create a distinctive rhythm across both uppercase and lowercase. Counters are often partially closed or pinched by the breaks, producing a sculpted, carved look that stays consistent through letters and numerals. Spacing reads fairly tight in text, and the overall texture is dense and highly graphic.
Best suited to large-scale applications where the stencil segmentation can be appreciated: posters, headlines, logos, labels, and bold packaging. It can also work for signage-style graphics and short subheads, especially when a rugged, fabricated look is desired. For long passages, the dense texture and frequent breaks may reduce comfort, so it’s strongest in display roles.
The font conveys a bold, utilitarian tone—part signage, part print ephemera—with a confident, no-nonsense presence. Its stencil interruptions add a mechanical, fabricated feel, while the wedge-serifs keep it rooted in classic display typography. The result feels theatrical and attention-grabbing, with a slightly vintage, industrial edge.
The design appears intended as a decorative display serif that blends traditional letterform proportions with a systematic stencil/cutout logic. It prioritizes impact and distinctive silhouette over neutrality, aiming to deliver strong presence in branding and titling contexts where a carved or manufactured impression is beneficial.
The stencil gaps are integrated into key structural points (like cross-strokes, bowls, and joins), creating strong recognizability but also making fine details visually busy at smaller sizes. Numerals mirror the same segmented construction, reinforcing the cutout aesthetic across mixed content.