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Free for Commercial Use

Sans Other Kysu 8 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Procerus' by Artegra, 'Tusker Grotesk' by Lewis McGuffie Type, 'Ikigai' by Monotype, and 'TT Bluescreens' by TypeType (names referenced only for comparison).

Keywords: posters, headlines, signage, branding, sports, industrial, poster, aggressive, retro, compressed, space-saving, high impact, headline focus, industrial tone, blocky, condensed, monoline, squared.


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A compact, heavy sans with tightly compressed proportions and tall lowercase that reads nearly as tall as the capitals. Strokes are essentially monoline with blunt, squared terminals and small, angular counters that create a dense, ink-trap-like feel in places. Curves are simplified into rounded-rectangle forms, and many joins are sharply notched, producing a chiseled, mechanical texture. Spacing appears tight and the overall rhythm is dark and uniform, optimized for large, attention-grabbing settings.

Best used for headlines, posters, and signage where strong presence and vertical efficiency are needed. It also suits branding marks, packaging callouts, and sports or event graphics that benefit from compact, high-impact letterforms. For longer reading, it will be most comfortable at larger sizes with generous leading.

The tone is forceful and utilitarian, with a gritty, industrial edge that feels suited to bold messaging. Its compressed stance and hard corners evoke classic headline typography and retro display lettering, giving it a punchy, no-nonsense voice.

The design appears intended as a space-saving display sans that maximizes impact through compression, heavy massing, and simplified geometry. The notched details and tight counters seem aimed at adding character and preventing shapes from turning into featureless blocks while maintaining a strong, uniform color on the page.

The narrow internal apertures and tight sidebearings make the font visually dense; counters can close up quickly at smaller sizes or in long lines. The digit and uppercase set keep the same compressed, block-like construction, supporting a consistent, signage-oriented texture across mixed copy.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
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15px
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10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸