Sans Superellipse Esgoy 14 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Bronkoh' by Brink, 'Compasse' by Dharma Type, 'Flexo' by Durotype, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, sportswear, sporty, modern, energetic, confident, friendly, impact, motion, modernize, soften edges, display clarity, rounded, compact, punchy, soft corners, slanted.
A heavy, slanted sans with compact proportions and smoothly rounded, superelliptical curves. Strokes are sturdy and largely uniform, with soft cornering throughout that keeps the forms from feeling sharp despite the weight. Counters are moderately open, terminals are clean and unadorned, and the overall construction favors simple geometric logic with slightly condensed interior spaces. The numerals and capitals read as dense, graphic blocks, while the lowercase retains clear differentiation and a steady, forward-leaning rhythm.
Best suited to headlines and short-form messaging where a strong, modern presence is needed—such as posters, branding systems, packaging, and promotional graphics. It can also work well for sporty or tech-leaning identities, labels, and display numerals where a compact, high-impact texture is desirable.
The tone is dynamic and assertive, with a brisk, sporty momentum from the slant and the bold, compact silhouettes. Rounded geometry adds an approachable, contemporary friendliness, keeping the voice from becoming harsh. Overall it feels geared toward impact and motion rather than quiet neutrality.
The design appears intended to deliver a contemporary, high-energy display voice by combining a forward slant with rounded, superelliptical construction. It prioritizes immediate impact and cohesive geometric consistency, offering a friendly but confident alternative to sharper, more aggressive italic grotesks.
The font’s rounded-rectangle logic is especially apparent in bowls and curved joins, producing a cohesive, “molded” look across letters and figures. The italic angle and weight create strong word-shape cohesion in headlines, while the compact counters call for sensible sizing in longer runs of text.