Font Hero

Free for Commercial Use

Inline Mijy 15 is a bold, narrow, low contrast, upright, normal x-height font.

Keywords: headlines, posters, signage, titles, branding, art deco, theatrical, vintage, punchy, poster-like, decorative impact, retro signage, engraved look, headline focus, brand voice, condensed, inline detail, monoline carve, high impact, display.


Free for commercial use
Customize the font name

A condensed, all-caps-forward sans with a distinctive inline cut that runs through most strokes, creating a carved, double-stem effect. Stems are heavy and largely uniform in thickness, with squared terminals and compact counters that keep the silhouette dense. Curves (C, G, O, S) stay taut and vertical in feel, while diagonals (A, V, W, X, Y) remain crisp and symmetrical. Lowercase forms echo the same architecture, with simplified bowls and a clean, mechanical rhythm; numerals are similarly compact and assertive, with the inline detail preserved for consistency.

Best suited for display applications such as headlines, posters, event promotions, packaging fronts, and signage where the inline detail can be appreciated. It can also work for logo wordmarks or short, emphatic title lines, especially in retro-inspired or entertainment-oriented layouts.

The inline channel reads like neon tubing or engraved signage, lending an Art Deco–leaning, stage-poster energy. Its compressed proportions and strong vertical emphasis feel confident and urbane, suggesting classic theater marquees, cocktail-era graphics, and bold headline typography.

The design appears intended to deliver a compact, high-impact voice while adding built-in ornament through an engraved inline. By combining sturdy, condensed forms with a consistent internal cut, it aims to evoke classic sign lettering and Deco-era display typography in a contemporary, readily deployable font.

The inline carving adds texture and contrast within strokes without relying on serifs, making letterforms feel dimensional at larger sizes. Because the counters are tight and the interior line competes for attention, the design reads best when given generous size and spacing rather than in small text settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸