Font Hero

Free for Commercial Use

Sans Superellipse Himeg 12 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Quenbach' by Brenners Template, 'Posting Sans' by K-Type, 'Autovia' by Santi Rey, and 'Nominee' by TypeUnion (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, punchy, industrial, confident, playful, impact, clarity, modernity, approachability, rounded corners, blocky, compact, soft geometry, high impact.


Free for commercial use
Customize the font name

A heavy, blocky sans with rounded-rectangle construction and softly blunted corners throughout. Curves feel superelliptical rather than purely circular, producing squarish counters in letters like O and D and a generally compact, sturdy silhouette. Strokes are monolinear and dense, terminals are clean and flat, and the lowercase shows a tall x-height with short ascenders/descenders for a tightly packed rhythm. Round letters (c, e, o) stay wide and stable, while diagonals (v, w, x) are stout and symmetrical, keeping an even, poster-friendly texture.

Best suited to display work where bold, compact forms need to read quickly: headlines, posters, logos/wordmarks, packaging, and signage. It also works well for short UI labels or badges where a strong presence is desired, though the tight apertures suggest avoiding very small sizes for long passages.

The overall tone is bold and assertive with a friendly, softened edge. Its rounded geometry gives it a contemporary, slightly retro-tech flavor—confident and attention-grabbing without feeling aggressive. The result reads as practical and durable, with a hint of playful character from the squarish rounds and compact proportions.

The design appears intended to deliver maximum impact with a modern, geometric voice, using rounded-rectangle forms to balance strength and friendliness. Its tall lowercase proportions and consistent stroke weight aim for dense, even typographic color in prominent display settings.

Apertures are relatively tight (notably in e and a), and counters tend to be more rectangular than elliptical, which increases the sense of solidity. Numerals are chunky and simplified, matching the letterforms closely for consistent color in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸