Sans Faceted Geso 3 is a light, normal width, monoline, italic, normal x-height font.
Keywords: headlines, branding, posters, ui labels, sports graphics, techno, futuristic, industrial, precision, sporty, sci-fi styling, geometric consistency, interface tone, motion emphasis, display clarity, angular, faceted, octagonal, slanted, skeletal.
A slanted, monoline sans built from crisp straight segments with clipped, faceted corners that suggest octagonal geometry in bowls and counters. Curves are largely replaced by short planar strokes, creating a consistent “chamfered” rhythm across capitals, lowercase, and numerals. Proportions are relatively open and airy with generous internal space, while joins stay sharp and mechanical; several forms show small notched terminals and angled cut-ins that reinforce the constructed feel. Numerals follow the same faceted logic, reading like streamlined display figures rather than purely text-centric shapes.
Best suited to display settings where its faceted construction can read as a deliberate stylistic cue—headlines, logos, posters, product packaging, and interface labels for tech or gaming themes. It also works well for numbers in dashboards, equipment-style markings, and short callouts where the angled, geometric forms add energy without heavy weight.
The overall tone is futuristic and engineered, evoking digital hardware, sci‑fi interfaces, and technical labelling. Its sharp facets and forward slant give it motion and a sporty, high-performance character, while the light stroke and open counters keep it sleek rather than aggressive.
The font appears designed to translate a geometric, chamfered construction into a clean sans voice—prioritizing a consistent planar vocabulary over traditional curves. Its intent seems to be a contemporary, high-tech look with fast, forward motion, while remaining legible through open counters and restrained stroke contrast.
The design language is highly systematic: repeated chamfers and angled terminals create strong visual continuity, especially in rounded letters and digits. The italic angle and segmented construction can make long passages feel stylized, but it maintains clear silhouettes in short phrases and headings.