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Free for Commercial Use

Sans Superellipse Hiras 4 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Tungsten' by Hoefler & Co., 'Kuunari' and 'Kuunari Rounded' by Melvastype, 'Entropia' by Slava Antipov, and 'Winner Sans' by sportsfonts (names referenced only for comparison).

Keywords: headlines, posters, signage, branding, packaging, industrial, condensed, assertive, utilitarian, impactful, space saving, high impact, signage clarity, bold branding, editorial display, blocky, squarish, rounded corners, compact, vertical stress.


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A dense, condensed sans with compact proportions and a strongly vertical rhythm. Forms are built from squarish, rounded-rectangle geometry: bowls and counters read as softened boxes rather than circles, and curves transition quickly into straight segments. Terminals are blunt and mostly flat, with minimal modulation, producing an even, solid color in text. The lowercase has a tall x-height with short ascenders/descenders, while uppercase shapes are narrow and tightly constructed; overall spacing is economical and designed to hold together in heavy, space-saving lines.

Best suited for short, high-impact copy where space is limited: headlines, posters, packaging panels, labels, and wayfinding-style signage. It can also work for bold brand marks or section headers, especially when you want a compact line length without losing visual weight.

The tone is forceful and workmanlike, leaning toward industrial signage and bold editorial display. Its squared rounds and compressed width give it a no-nonsense, functional character that feels modern and slightly retro in a poster or headline context.

The design appears intended to maximize impact and economy: a condensed silhouette paired with squared, softened geometry to maintain clarity and consistency at display sizes. It prioritizes strong silhouette, tight rhythm, and a uniform stroke presence for attention-grabbing typography in constrained spaces.

Counters are relatively tight and rectangular, which increases perceived density and helps the face stay legible at large sizes. The numerals follow the same compact, squarish construction, supporting a consistent, sturdy texture across mixed alphanumeric settings.

120px
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84px
72px
64px
56px
48px
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Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸