Sans Superellipse Harij 3 is a bold, normal width, monoline, upright, normal x-height font.
Keywords: headlines, branding, posters, packaging, ui labels, tech, retro-futurist, friendly, modular, clean, modernize, systematize, add personality, increase impact, rounded, geometric, square-rounded, compact, blunt.
A heavy, monoline sans built from rounded-rectangle geometry, with straight-sided bowls and softly radiused corners. Curves tend to resolve into flat terminals and squared counters, creating a superelliptical, modular feel across both uppercase and lowercase. Proportions are compact with sturdy stems and minimal contrast, and joins are clean and engineered rather than calligraphic. Distinctive constructions appear in forms like the multi-arched “w” and the squared, open “e,” reinforcing a consistent, grid-friendly rhythm.
Best suited to headlines, logos, product branding, and poster typography where its rounded-square geometry can define a strong visual identity. It also works well for UI labels, wayfinding, and packaging callouts at medium to large sizes, especially in tech, gaming, or modern lifestyle contexts where a modular, friendly voice is desirable.
The overall tone is tech-forward and retro-modern at the same time—confident, playful, and slightly arcade-like. Its rounded corners keep the voice approachable, while the blocky geometry adds an industrial, interface-oriented edge. The result feels contemporary and functional, with a nostalgic digital flavor.
The design appears intended to translate a rounded-rect, superelliptical construction into a bold, highly consistent sans that stays readable while projecting a distinctive, engineered character. It prioritizes sturdy strokes, simplified counters, and repeatable shapes that feel at home in digital and brand systems.
The numerals and capitals read as solid, sign-like shapes, and the design favors simplified, highly legible silhouettes over humanist nuance. Several glyphs lean into stylized geometry (notably “w” and “e”), which can add personality but also makes the font feel more display-oriented than neutral text.