Sans Superellipse Onbep 1 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type, 'Azbuka' by Monotype, 'Core Gothic M' and 'Core Sans E' by S-Core, 'Anodina' by Stefano Giliberti, 'Unione' by TOMO Fonts, and 'TT Hoves Pro' by TypeType (names referenced only for comparison).
Keywords: ui, product design, signage, headlines, branding, modern, clean, technical, friendly, clarity, modernization, approachability, system design, rounded, geometric, square-rounded, crisp, neutral.
This typeface is a rounded geometric sans with squared-off, superellipse-style curves that read like softened rectangles. Strokes are consistently even, with flat terminals and minimal modulation, producing a crisp, steady rhythm. Counters tend toward rounded-rectangular forms, and the overall construction favors straightforward geometry over calligraphic influence. Uppercase shapes feel sturdy and compact, while the lowercase maintains clear differentiation through simple, open forms and restrained curves; the numerals match the same squared-round logic for a cohesive texture.
It works well for user interfaces, dashboards, and app or web typography where a clean, modern texture and clear letterforms are valued. The sturdy uppercase and consistent numerals also suit wayfinding, packaging, and brand systems that want a contemporary geometric voice without sharp edges.
The overall tone is contemporary and matter-of-fact, with a friendly edge created by the rounded corners and smooth curvature. It suggests a practical, engineered aesthetic—approachable rather than cold—making it feel at home in digital and product-forward contexts.
The likely intent is to deliver a neutral, highly usable sans with a distinctive rounded-rectangle geometry—balancing clarity and modernity with a softened, approachable finish. It aims for consistent rhythm across letters and numbers, prioritizing systematic construction and everyday legibility.
The design language is especially evident in rounded characters like O, Q, C, and G, where curves resolve into softly squared contours rather than perfect circles. Diagonals (V, W, X, Y) remain clean and decisive, and the punctuation in the sample text keeps a simple, utilitarian presence that supports readability.