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Free for Commercial Use

Groovy Itty 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel, 'Anantason Mon' by Jipatype, and 'Kurstiva' by Typogama (names referenced only for comparison).

Keywords: posters, headlines, album covers, event flyers, merchandise, playful, retro, psychedelic, cheerful, bouncy, expressiveness, retro flavor, attention grabbing, friendly tone, display impact, blobby, rounded, soft, wavy, swashy.


Free for commercial use
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A very heavy, rounded display face with inflated, blobby strokes and soft terminals. The letterforms lean forward with a lively, uneven rhythm, showing gentle waviness and subtly shifting stroke edges rather than rigid geometry. Counters are small and often teardrop-like, and joins swell and pinch to create a liquid, hand-formed feel. Numerals follow the same puffy, irregular logic, with compact interior spaces and prominent curves that keep the texture dense and bold.

This font suits display-driven applications where a bold, characterful voice is needed—posters, headlines, packaging callouts, album or playlist artwork, and event flyers. It can also work for short, high-impact branding elements such as logos or wordmarks in casual entertainment, food, or lifestyle contexts, especially when paired with a simpler text face for body copy.

The overall tone is exuberant and nostalgic, evoking late-60s/70s poster lettering and pop culture graphics. Its buoyant, rubbery shapes read as friendly and slightly mischievous, prioritizing personality over restraint. The forward slant and soft swelling strokes add motion and warmth, making the font feel energetic and informal.

The design appears intended to capture a groovy, hand-drawn sign-painting energy through exaggerated weight, rounded forms, and controlled irregularity. It emphasizes a fun, vintage-leaning personality and visual motion, making it ideal for attention-grabbing titles and expressive branding moments.

The type builds a strong black footprint with tight counters, so it performs best when given breathing room through generous tracking and line spacing. The irregular stroke shaping creates a distinctive texture that becomes a key visual feature at larger sizes, while small sizes may lose some interior detail in letters and numerals with enclosed counters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸