Sans Faceted Tyki 2 is a very bold, narrow, monoline, upright, normal x-height font visually similar to 'Olifant' by Hipopotam Studio, 'Enamela' by K-Type, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, sportswear, industrial, sporty, tough, mechanical, retro, impact, compactness, durability, precision, signage, angular, chamfered, blocky, compact, stencil-like.
A compact, heavy sans built from straight strokes with consistent thickness and frequent chamfered corners. Curves are largely replaced by clipped, faceted joins, producing octagonal counters and squared bowls across rounds like C, O, and G. Terminals tend to be flat and perpendicular, with a slightly engineered, cut-metal feel; spacing is tight and the overall rhythm is dense, especially in all-caps. Numerals match the same faceted construction, staying sturdy and highly graphic at display sizes.
Best suited to short, high-impact text such as headlines, posters, logotypes, and brand marks where its angular facets can be read clearly. It also fits packaging, product labeling, and environmental or wayfinding-style graphics that benefit from a tough, engineered voice. For long passages, its dense texture suggests using larger sizes and generous leading for clarity.
The tone is bold and utilitarian, with a disciplined, mechanical crispness that reads as industrial and athletic. Its faceting and compressed presence evoke signage, equipment labeling, and retro sports or arcade-inspired graphics without feeling decorative or playful.
The design appears intended to deliver maximum impact in a compact footprint, using faceted, chamfered geometry to imply durability and precision. By minimizing curves and emphasizing straight cuts, it aims for a constructed, machine-made look that stays consistent across caps, lowercase, and numerals.
Lowercase forms echo the uppercase geometry, with single-storey constructions and squared apertures that keep texture even in mixed-case settings. Diagonals (K, V, W, X, Y) are straight and forceful, reinforcing a hard-edged, fabricated aesthetic; the overall impression is more architectural than calligraphic.