Sans Contrasted Oflih 3 is a regular weight, wide, medium contrast, upright, normal x-height font.
Keywords: magazines, book text, headlines, branding, packaging, editorial, literary, refined, classic, calm, readability, editorial tone, classic polish, humanist warmth, flared, tapered, bracketless, calligraphic.
A crisp, upright text face with subtly flared terminals and moderate stroke modulation that gives the outlines a gently calligraphic feel. Strokes taper into wedge-like ends rather than ending in blunt cuts, creating a soft, rhythmic texture across words. The letterforms are open and readable, with rounded bowls, clear counters, and a balanced mix of straight and curved strokes; diagonals (V, W, X, Y) show noticeable thick-to-thin shaping. Figures are proportional and harmonize with the letters, maintaining the same tapered stroke behavior and calm, even color in paragraph settings.
This font is well suited to editorial typography such as magazines, book interiors, and article layouts where a refined texture is desirable. It also works effectively for headlines, pull quotes, and brand identities that want a composed, classic voice with subtle character. The tapered terminals and moderate contrast can add polish to packaging and print-forward designs without sacrificing readability.
The overall tone feels editorial and literary: composed, slightly traditional, and quietly elegant without becoming ornate. The flared endings and measured contrast add a human touch that reads as thoughtful and established rather than purely utilitarian.
The design appears intended to bridge clean contemporary structure with traditional, flared finishing, producing a readable text face that carries a quiet sense of craft. Its moderated contrast and controlled proportions suggest it was drawn to perform comfortably in continuous reading while still offering a distinctive, editorial personality at display sizes.
Lowercase forms lean toward a humanist construction, with a two-storey-like, open rhythm in text and a distinctive, slightly sweeping tail on forms like the uppercase Q. Round letters (C, G, O) maintain smooth curves, while verticals retain steady presence, helping the face stay stable in longer passages.