Sans Faceted Umhi 11 is a bold, very wide, monoline, upright, tall x-height font visually similar to 'Durandal' by Aerotype and 'Gorus' by Smartfont (names referenced only for comparison).
Keywords: headlines, posters, logos, game ui, packaging, techno, industrial, sci‑fi, gaming, futuristic, impact, tech aesthetic, modular system, display focus, branding, octagonal, angular, beveled, stencil‑like, compact.
A heavy, geometric sans built from straight strokes and chamfered corners, replacing curves with crisp planar facets. Letterforms are wide and low-contrast with mostly uniform stroke weight, producing a blocky silhouette and a tight, mechanical rhythm. Counters tend toward rectangular or octagonal shapes, and joints are consistently clipped, giving rounds like O/C/G and bowls like B/P/R a hard-edged, engineered feel. The lowercase mirrors the uppercase’s angular construction with a tall x-height and simplified terminals, prioritizing graphic impact over calligraphic nuance.
Best suited for display settings where its angular shapes can be appreciated—headlines, posters, brand marks, esports/gaming titles, and sci‑fi or tech-themed interfaces. It can also work for short calls-to-action and packaging that benefits from a tough, engineered look; for long text, its dense, blocky texture may be more visually demanding.
The overall tone reads futuristic and industrial, with a distinctly digital, arcade-like attitude. Its faceted geometry suggests machinery, armor plating, or interface typography, projecting strength and precision. The sharp chamfers add a sense of motion and technical edge without becoming decorative.
The likely intent is to deliver a bold, high-impact sans with a faceted, polygonal construction that signals technology and modernity. By standardizing strokes and using consistent chamfers, it aims for strong recognizability and a cohesive, modular system across uppercase, lowercase, and numerals.
The design’s squared counters and clipped terminals create strong texture in lines of text, especially at larger sizes. Round letters are intentionally polygonal, and many diagonals (e.g., V/W/Y) feel robust and symmetrical, reinforcing a constructed, modular personality.