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Free for Commercial Use

Sans Contrasted Kyda 2 is a regular weight, normal width, high contrast, upright, tall x-height font.

Keywords: headlines, logos, posters, packaging, titles, futuristic, art deco, sleek, elegant, stylized, display, branding, distinctiveness, impact, modernity, geometric, deco-inspired, banded strokes, hairline stems, crisp terminals.


Free for commercial use
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The letterforms are geometric and largely monolinear in construction, then animated by strong contrast created through selective thick arcs and thin hairline stems. Bowls tend toward near-circular shapes with flattened or sheared terminals, producing a “banded” look where thick strokes appear as caps or slices across counters. Vertical strokes are consistently slender, while curves swell noticeably, giving the face a distinctive rhythm and a slightly mechanical, modular consistency. The x-height appears tall, and spacing feels open enough to keep the high-contrast details readable at display sizes.

This font is well suited to logos, titles, posters, packaging, and editorial headlines where its high-contrast bands and geometric bowls can read clearly. It can also work for short UI or signage labels when set large enough to preserve the fine hairlines. For longer passages or small sizes, the delicate verticals and internal stroke bands may reduce clarity, so it’s best used for display-focused typography.

This typeface conveys a sleek, stylized modernity with a touch of retro-futurist and Art Deco flavor. The crisp geometry and dramatic thick–thin interplay create a confident, designed-in-advance feel that reads as elegant rather than casual. Overall it suggests sophistication, nightlife polish, and graphic boldness without becoming heavy or aggressive.

The design appears intended as a distinctive display sans that stands apart through a signature thick–thin system: thin structural stems paired with bold, sculpted curves. Its geometry and repeated stroke motifs suggest a goal of creating memorable word shapes for headlines and identity work, prioritizing character and rhythm over neutral text economy.

Several characters emphasize circular construction (notably O-like forms and rounded lowercase), with distinctive internal stroke placements that create strong horizontal accents inside counters. Numerals and capitals share the same system of thin uprights and bold curved segments, giving the overall set a cohesive, intentionally graphic texture across mixed-case settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸