Outline Deho 3 is a very light, normal width, very high contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, signage, packaging, art deco, neon, retro, airy, playful, display focus, retro styling, sign look, graphic layering, lightness, geometric, monoline, inline, rounded, crisp.
A geometric, outline-driven sans with an inline double-contour effect that gives each glyph a hollow, layered construction. Strokes are built from clean, consistent curves and straight segments with squared terminals and gently rounded corners, producing a crisp, engineered silhouette. Bowls and counters are wide and open, and several forms (notably rounded letters and numerals) emphasize near-circular geometry. The spacing and proportions feel even and modern, with a light visual footprint that relies on contour clarity rather than filled mass.
Best suited for display settings such as posters, large headlines, logotypes, storefront or event signage, and packaging where the outline construction can remain crisp. It also works well for themed graphics that want a neon/retro look, especially when paired with color, glow effects, or dark backgrounds.
The double-line outlines create a sign-like, luminous feel reminiscent of marquee lettering and streamlined 1930s–1950s display aesthetics. It reads as upbeat and decorative, with a polished, graphic presence that feels more like drawing than printing. The overall tone is stylish and slightly whimsical, leaning toward retro-futurist and nightlife associations.
The design appears intended as a decorative outline face that delivers maximum personality with minimal stroke mass. The double-contour structure suggests a goal of creating a built-in “lit” or dimensional effect, optimized for graphic treatments and attention-grabbing titles rather than dense text.
Because the design is contour-only, interior details and small joins can visually thin out at smaller sizes; it holds best when given room to breathe. The inline contour adds depth and a subtle dimensional cue, making the letters look layered even without fills or shading.