Sans Superellipse Ofkoy 1 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'ATC Harris' by Avondale Type Co., 'Mono Spec' by Halbfett, 'British Vehicle JNL' by Jeff Levine, 'Realtime' and 'Realtime Rounded' by Juri Zaech, 'Charles Wright' by K-Type, and 'Archimoto V01' by Owl king project (names referenced only for comparison).
Keywords: ui labels, packaging, signage, posters, editorial display, industrial, utilitarian, retro, technical, friendly, clarity, robustness, systematic, approachability, rounded, soft corners, geometric, blocky, sturdy.
A compact, heavy sans with rounded-rectangle construction and consistently softened corners. Strokes stay uniform throughout, producing a solid, even color and a steady rhythm across lines. Counters are generally small and square-ish, with terminals ending bluntly rather than tapering, which reinforces the font’s blocky, engineered feel. Curves (C, G, S, 0) are drawn as superelliptical arcs, and diagonals (V, W, X, Y) are simplified into broad, confident joins that keep the texture dense and stable.
Works well where you need dense, high-contrast letterforms that stay clear at a glance, such as interface labels, product packaging, and wayfinding or informational graphics. The sturdy shapes and rounded corners also suit posters, headlines, and short editorial callouts where a technical, industrial voice is desired without feeling harsh.
The overall tone is practical and no-nonsense, with a mild retro-industrial warmth coming from the rounded corners. It feels like labeling and instrumentation typography—firm and dependable—while still reading approachable rather than sharp or aggressive.
Likely designed to combine the efficiency of a rigid, systematic construction with softened geometry for better approachability. The emphasis appears to be on consistent rhythm, strong silhouettes, and a durable presence in both all-caps and mixed-case settings.
The design favors clarity through strong silhouettes and uniform spacing, giving text a consistent, “set type” cadence. Round characters lean more squarish than circular, and the lowercase follows similarly sturdy, compact proportions, helping mixed-case settings look cohesive and anchored.