Sans Superellipse Bomiz 4 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, tech branding, wayfinding, packaging, posters, minimal, clinical, futuristic, precise, airy, systematic design, modern clarity, tech aesthetic, geometric consistency, minimal display, monoline, rounded corners, geometric, modular, open spacing.
A very thin, monoline sans with a modular, rounded-rectangle construction. Curves resolve into squared-off arcs and soft corners, giving bowls and counters a superellipse feel rather than true circles. Terminals are clean and unflared, joins are crisp, and the overall drawing is consistent and restrained. Proportions read as geometric with generous sidebearings and a calm rhythm; the uppercase is tall and simple, while the lowercase keeps similarly narrow, open forms with minimal stroke modulation. Figures follow the same rounded-rect geometry, with smooth, continuous outlines and a light, technical presence.
Well-suited to user interfaces, dashboards, and small clusters of labels where a clean, technical voice is desired. It also works for contemporary branding, packaging, and signage systems that benefit from a rounded-square, modular identity. In larger sizes it can add a sleek, sci‑fi inflection to headlines and short statements.
The font conveys a cool, contemporary tone—measured, hygienic, and quietly futuristic. Its airy stroke and rounded-square geometry suggest interface design, instrumentation, and modern product aesthetics rather than warmth or nostalgia.
The design appears intended to deliver a streamlined geometric sans built from rounded-rectangle forms, prioritizing consistency and a modern system aesthetic. Its extremely light stroke and disciplined construction point toward a typeface meant to feel precise and unobtrusive while still being stylistically distinctive.
Rounded corners are a defining motif across letters and numerals, producing a coherent, system-like texture in text. The light stroke weight and open spacing keep paragraphs looking bright and unobtrusive, with emphasis coming more from shape than from contrast or ornament.