Sans Superellipse Wadu 9 is a very bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, gaming ui, futuristic, techy, sporty, playful, industrial, impact, modernity, tech styling, branding, display clarity, rounded corners, squarish, soft geometric, compact counters, stencil-like cuts.
A heavy, squared-off sans with softened corners and a distinctly superelliptical construction. Strokes stay largely even, with broad horizontal and vertical segments and small, rounded rectangular counters that read like cutouts. Curves resolve into squircle-like bowls rather than true circles, giving letters such as O, D, and Q a boxy, engineered feel. Terminals are blunt and clean, and several glyphs use inset notches and slot-like apertures that add a subtle stencil/tech texture. Numerals follow the same squarish logic, with compact interior shapes and strong, blocky silhouettes.
Best suited to short, impactful text such as headlines, product branding, event posters, and packaging where its bold geometry can carry the message. It can also work for on-screen titles and gaming or app UI elements when used at sizes that preserve the interior cutouts and notches. For longer passages, it’s likely strongest as a section header or callout rather than continuous reading.
The overall tone is modern and assertive, with a gadget-like precision that feels at home in tech, sci‑fi, and sporty branding. The rounded corners keep it friendly and approachable, while the squared geometry and dense counters give it a tough, industrial edge. It reads as energetic and display-forward, designed to stand out rather than disappear into body copy.
The design appears aimed at delivering a contemporary, engineered look through squarish superellipse forms, consistent stroke weight, and distinctive slot-like counters. Its forms prioritize silhouette strength and a recognizable tech/display personality, balancing toughness with softened corners for a more approachable modern feel.
The face relies on strong negative-space shapes—thin slots and rounded-rectangle counters—to create character, which can add personality at larger sizes but may tighten readability if set too small. The uppercase and lowercase share a consistent geometric language, and the punctuation (notably the exclamation and apostrophe) matches the same compact, rounded-rect motif.