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Sans Superellipse Gebuv 5 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Molde' by Letritas, 'Eurostile Next' and 'Eurostile Next Paneuropean' by Linotype, 'Kairos Sans' by Monotype, 'PT Filter' by Paavola Type Studio, 'Amsi Grotesk' by Stawix, 'From the Internet' by Typodermic, and 'URW Dock Condensed' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, sports branding, app headers, packaging, sporty, urgent, industrial, dynamic, punchy, impact, speed, modernity, strength, compactness, slanted, compact, squared-round, blocky, sturdy.


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A very heavy, slanted sans with a compact, forward-leaning stance and tightly controlled apertures. Letterforms are built from squared, rounded-rectangle geometry: corners are softly radiused while terminals read as blunt and decisive. Counters are relatively small for the weight, and curves (C, G, O, S) stay close to a superelliptical skeleton rather than a purely circular one. The uppercase is wide-shouldered and blocky, while the lowercase maintains a large x-height feel with simplified, sturdy constructions and minimal interior detailing; numerals match the same dense, rounded-rectangle logic.

Best suited for high-impact display settings where a strong slanted voice helps convey motion and intensity—headlines, posters, sports and fitness branding, and prominent UI headers. It can also work on packaging or labels that benefit from compact, forceful typography, especially at medium-to-large sizes where the tight counters remain clear.

The overall tone is assertive and kinetic, with a clear sense of speed from the consistent slant and compressed interior spaces. It feels utilitarian and performance-driven—more “go” than “grace”—with a contemporary, no-nonsense edge suited to bold messaging.

The design appears intended to deliver maximum visual punch with a streamlined, squared-round construction and a consistent slant for momentum. Its geometry prioritizes bold legibility and a modern, performance-oriented aesthetic over delicate detail or spacious text color.

Stroke endings and joins favor robust, simplified shapes that keep counters from opening up too much, reinforcing a dense texture in text. The italic angle is consistent across cases and figures, producing a strong rightward rhythm in longer lines and a pronounced headline presence.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸