Inverted Ehda 2 is a very bold, narrow, medium contrast, upright, tall x-height font.
Keywords: posters, headlines, album covers, event flyers, packaging, playful, quirky, cut-out, collage, retro, attention-grabbing, handmade feel, collage effect, poster impact, high-contrast, jagged, irregular, blocky, stencil-like.
A compact, heavy display face built from irregular rectangular tiles with white letterforms knocked out of solid black blocks. The glyphs show uneven, hand-cut contours with slightly wavy edges, creating a collage-like rhythm and a deliberately imperfect baseline and cap alignment. Counters are small and crisp, while terminals and joins often pinch or flare, producing a lively, cut-paper silhouette. Spacing appears tight and inconsistent by design, with each character behaving like an individual label while maintaining an overall cohesive density.
Best suited to bold display work such as posters, headlines, album or zine covers, event flyers, and attention-grabbing packaging callouts. It can also work for playful UI badges or labels when used sparingly, but the heavy tiles and irregular rhythm favor short phrases over long reading.
The tone is playful and mischievous, evoking ransom-note collage, DIY zine typography, and hand-cut signage. Its jittery texture and high-impact silhouettes feel energetic and a bit chaotic, lending an informal, streetwise attitude to headlines and short bursts of copy.
The design appears intended to mimic hand-cut or stamped lettering arranged as individual blocks, prioritizing personality and texture over typographic regularity. By combining a dense, dark footprint with knocked-out interiors, it aims for immediate visual punch and a recognizable collage aesthetic.
The inverted construction (light shapes carved from dark tiles) gives strong poster contrast and makes the font read as a series of stamps or stickers. Because the black tiles dominate the page, legibility and color weight will shift noticeably with tracking and line spacing; it performs best when allowed some breathing room around lines and in short settings.