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Free for Commercial Use

Sans Superellipse Ogkar 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Chamelton' by Alex Khoroshok, 'Outlast' by BoxTube Labs, 'Neuron Angled' by Corradine Fonts, 'Flintstock' by Hustle Supply Co, 'Bourton' and 'Bourton Hand' by Kimmy Design, and 'Organetto' by Latinotype (names referenced only for comparison).

Keywords: headlines, branding, packaging, posters, stickers, playful, friendly, chunky, retro, approachable, approachability, high impact, retro charm, logo readiness, display clarity, rounded, soft, blunt, compact, bubbly.


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A heavy, rounded sans with forms built from soft rectangles and superelliptical curves. Strokes are thick and even, with blunt terminals and generously rounded corners that create a cushioned, compact silhouette. Counters tend to be squarish-oval and slightly tight, while apertures are modest, emphasizing solidity over airiness. The rhythm is lively and slightly irregular in a hand-cut way, with wide, stable capitals and sturdy lowercase shapes; numerals follow the same blocky, softened construction for a consistent texture in text.

Best used at display sizes where its thick strokes and rounded details can project personality—logos, brand marks, packaging, posters, titles, and punchy UI labels. It can work for short blocks of text or callouts, but the dense counters and compact spacing make it most effective for headings and high-impact phrases.

The overall tone is warm and approachable, with a playful, toy-like firmness that reads as cheerful rather than formal. Its rounded geometry and chunky mass suggest a retro display flavor, well-suited to friendly branding and expressive headlines.

This font appears intended to deliver an unmistakably bold, friendly voice through softened rectangular construction—maximizing impact while avoiding sharpness. The consistent rounding and sturdy proportions prioritize approachability and strong presence in branded and promotional contexts.

The design maintains a consistent corner radius and stroke weight across letters and digits, producing a strong, uniform color on the page. Distinctive, simplified structures in characters like J, Q, and g add personality while keeping the set cohesive.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸