Sans Superellipse Timag 2 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Nestor' by Fincker Font Cuisine, 'FS Industrie' by Fontsmith, 'Motorway' by K-Type, 'Vinyl' by T-26, and 'Robusta' by Tilde (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, apparel, energetic, informal, sporty, retro, punchy, compact impact, friendly emphasis, dynamic motion, handmade texture, rounded, condensed, slanted, brushy, soft corners.
A condensed, forward-slanted sans with heavy, rounded-rectangle construction and softly blunted terminals. Strokes stay largely monolinear, with subtle irregularities and slight swelling that suggest a hand-painted or marker-like touch rather than rigid geometry. Counters are compact but open enough for clarity, while curves (C, G, O, S) read as squarish superellipses with softened corners. Overall rhythm is tight and lively, with a strong rightward pull and sturdy verticals that keep the texture dense in text.
Best suited for short, high-impact settings such as posters, headlines, packaging callouts, and brand marks that want a fast, athletic voice. It can work for UI labels or signage when a friendly, condensed emphasis is needed, but its dense texture and slant are most effective at larger sizes.
The tone is energetic and casual, combining a sporty, poster-like urgency with a friendly softness from the rounded corners. It feels expressive without becoming chaotic, lending a human, slightly gritty edge that reads as modern-retro rather than purely utilitarian.
The design appears intended to deliver maximum impact in a tight width: a bold, slanted sans with rounded geometry that stays approachable. The slight stroke irregularity adds personality and motion, aiming for expressive display typography that remains broadly legible.
Capitals are assertive and compact, while lowercase maintains a straightforward, workmanlike feel with minimal ornamentation. Numerals follow the same condensed, rounded logic and appear designed to hold up at display sizes where the slant and texture become part of the voice.