Sans Superellipse Osbap 12 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'CamingoDos Condensed' by Jan Fromm and 'Corpid', 'Spiegel Sans', 'Taz', and 'TheSans' by LucasFonts (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, ui labels, modern, friendly, confident, utilitarian, clean, impact, clarity, approachability, modernity, robustness, rounded, geometric, compact, solid, crisp.
This typeface is a sturdy geometric sans with softly rounded, superellipse-like curves and generally squared-off terminals. Strokes are heavy and even, with compact apertures and straightforward, minimally modeled joins that keep letterforms dense and highly graphic. Round characters (C, O, Q, G, 0) read as rounded rectangles rather than perfect circles, while straight-sided forms (E, F, H, N) stay rigid and blocky. The lowercase is simple and contemporary, with a single-storey a and g, a short-armed r, and a relatively high, cleanly shaped t; figures are wide and punchy with clear differentiation between 0–9.
It works well for headlines, brand marks, signage, and packaging where a strong, contemporary sans is needed with a softened geometric edge. The solid shapes and simple lowercase also suit short UI labels, navigation, and callouts where quick recognition and a compact footprint are helpful.
The overall tone is modern and approachable, with a friendly softness coming from the rounded geometry while still feeling assertive and no-nonsense. It communicates clarity and robustness rather than delicacy, giving text a confident, contemporary voice.
The design appears intended to deliver a contemporary geometric sans with rounded-rectangle forms that feel both friendly and durable. It emphasizes strong silhouette recognition and an efficient, high-impact texture for display and prominent interface or brand applications.
In the sample text, the heavy color and compact counters make the face especially impactful at larger sizes, while the rounded construction maintains a smooth rhythm across lines. The proportions favor stability and uniformity, with consistent curvature and minimal ornamentation throughout.