Sans Other Fury 1 is a very bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, logotypes, game ui, packaging, industrial, futuristic, playful, arcade, poster, impact, tech aesthetic, display focus, modular system, graphic voice, blocky, geometric, stencil-like, notched, angular.
A heavy, block-built sans with squared silhouettes, sharp corners, and frequent notches and cut-ins that carve the counters into small rectangular or dot-like apertures. Strokes read as monolithic slabs with minimal modulation, and many letters use stepped joins and chamfered angles rather than smooth curves. Counters and terminals are often treated as punched openings, giving several glyphs a stencil-like, modular construction. Spacing and letter widths vary noticeably, creating an uneven, emphatic rhythm in text while maintaining consistent cap height and compact, rectangular proportions.
Best suited to display applications where its blocky construction can read clearly: posters, headlines, title cards, branding marks, packaging, and game or interface graphics. It can also work for short labels or signage-style text where impact matters more than extended readability.
The overall tone feels industrial and game-like, with a bold, machined presence that suggests arcade graphics, sci-fi interfaces, or block-print signage. The punched counters and aggressive geometry add a playful edge, balancing severity with a quirky, constructed personality.
The design appears intended to deliver maximum visual weight with a modular, cut-out construction, using notches and punched counters as a signature detail. It prioritizes graphic presence and a techno-industrial character over neutral text economy, making it a purposeful choice for expressive display typography.
In running text the dense black mass and small internal apertures can reduce clarity at smaller sizes, while the distinctive notches and stepped shapes become a strong identifying motif at display sizes. Round letters are interpreted through geometric cuts and partial curves, keeping the set cohesive and intentionally mechanical.