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Sans Other Esmi 4 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, branding, packaging, signage, industrial, stencil, architectural, retro, mechanical, display impact, stencil styling, geometric system, industrial voice, geometric, segmented, ink-trap, monolinear, angular.


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A geometric, display-oriented sans built from heavy blocks and carved apertures. Many letters use stencil-like interruptions and internal cutouts that create sharp counters and distinctive negative-space rhythms, especially in round forms where the bowls are split by vertical or angled gaps. Strokes read as largely uniform in thickness, but the design relies on extreme black–white alternation from its cutaways, producing a high-impact, poster-friendly texture. Curves are crisp and circular, while diagonals (notably in A, K, M, N, V, W, X, Y, Z) are rendered as bold wedges and slashes that feel engineered rather than calligraphic.

Best suited to large sizes where the stencil gaps and internal cutouts can be appreciated without filling in. It works well for posters, title treatments, brand marks, packaging, and environmental graphics where a bold, engineered texture is desirable. For extended reading or small UI text, the compact counters and intentional interruptions may reduce clarity.

The overall tone is industrial and constructed, with an architectural precision that suggests signage, labeling, and machinery. The stencil breaks add a utilitarian, coded feeling—part wayfinding, part art-deco/modernist display—giving headlines a confident, mechanical punch.

The design appears intended to deliver a striking, constructed sans for display typography, using systematic cutouts to create an industrial-stencil identity while keeping a clean geometric skeleton. Its goal is visual impact and a distinctive negative-space signature rather than quiet neutrality.

Counters tend to be tight and stylized, so letter recognition depends on the consistent system of splits and notches rather than conventional open forms. The numerals echo the same segmented logic (notably 0, 6, 8, 9), reinforcing a cohesive, modular voice across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸